By Karen Wills
“All these items you’re safeguarding are, in essence, the relics of your life’s defining moments.” Chip and Dan Heath, The Power of Moments
Authors can depict and clarify fictional characters by their keepsakes. Sometimes such objects are discovered and loved in a protagonist’s childhood because they’re connected to influential adults.
In Richard Powers’, The Overstory, Nick Hoel, destined to become an artist, is fascinated by a series of photographs taken every month since 1903 of the sentinel chestnut on his family’s farm in Iowa. He keeps the stack of photos intact throughout his life which becomes as singular as the chestnut itself. The tree and the photographs ultimately shape Nick—his values, his devotion to one woman, and his fate.
In another of my favorite novels, A Gentleman in Moscow by Amor Towles, 
the aristocrat Count Alexander Rostov is sentenced during the Russian Revolution to life under house arrest in the Metropol, Moscow’s most luxurious hotel. Moved to a cramped attic room, he must choose only a few possessions to take with him. One choice is a portrait of his deceased younger sister, Helena. He loved her, and her portrait also evokes memories of Idlehour, his family’s country estate. He associates the painting with his idyllic boyhood as part of a refined, privileged, and noble family. The siblings’ history shows the foolishness and sometimes cruelty of the old life as well. Both Helena and Idlehour are part of the beloved lost past. But our charming Count might still have a most surprising future.
In Donna Tartt’s The Goldfinch, thirteen-year-old Theo rescues a precious painting following a terrorist attack on the museum where the work by the Dutch master Fabritius is part of an exhibit. The attack leaves Theo’s mother dead. He carries the little painting with him for years, never revealing that he has it. Its beauty sustains him through grief, loneliness, and one of the most interesting friendships ever created by an author. At the novel’s end, he ponders everything that has happened, and realizes that he kept the painting first and foremost because it is so touching and exquisite.
He thinks, “And I add my own love to the history of people who have loved beautiful things, and looked out for them…while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”
What our characters choose to keep safe can help define them. If we accept that a bit of ourselves exists in each of our characters, perhaps their keepsakes help define us, too.
Now available from Amazon, Barnes & Noble, and Kindle
https://karenwills.com
Face Book: Karen Wills Author
Montana Women Writers 
Lovely post, Karen.
I feel my main job as an author is to be true to my characters and reveal what’s important to them. Sometimes, we give a character a keepsake at the beginning of the story, never realizing until later how important that keepsake will become to our character and thus, important to the story. In Breaking TWIG, when I gave Becky (TWIG) a stuffed gray cat named Pinecone, I didn’t realize how important a touchstone Pinecone would become. Pinecone even shows up in the sequel to Breaking TWIG which I’m working on now. It’s not how important , expensive, or meaningful to the world the keepsake is, but how important it is to the character and what it reveals about his/her true self.
DE