Learning my colors

By Janice McCaffrey

One of my first blogs back in February 2016, I shared a technique that helped me enhance first, second, third, and so on story drafts. Layering. I start with a very rough draft and then work on applying layers: dialogue, body language, physical descriptions of characters and settings, etc.

Currently I’m layering color.

In my July 2018 blog I listed online resources to help improve descriptions. I’m working with site kathysteineman.com to learn my colors. It lists adjectives that help describe a certain color.

For example

cat black

Cat Black

and

smoky black

Smoky Black

Then there are words like hue, tone, tint, and shade to describe differences in colors. According to DifferenceBetween.net a hue is the brightest, purest form of a color…red, yellow, blue, etc. A general term that refers to a pure color that has been lightened or darkened is tone. A true color that has been lightened is a tint. A true color that’s been darkened is a shade.

cornsilk blonde

Corn silk

 

 

apricot blonde

Apricot Blonde

 

Hair colors are fun to play with. There are many descriptions of blonde online. Here are two:

 

color wheel

 

Reviewing the color wheel has helped me dress my characters and decorate their space

 

 

 

 

And check out dailywritingtips.com’s How to Punctuate Descriptions of Colors By Mark Nichol – It’s a short two minute read and very helpful. Easy to understand explanations for  the correct use of hyphens and commas and how their misuse can change your intended meaning.

Metaphorically, I’m a three year old. No, not in dog years . . . in writers’ years. learning my colors

And I’m having fun learning my colors!
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Besides Having More Money: The Rich in Fiction

By Karen Wills

There’s a famous, though perhaps apocryphal, exchange between F. Scott Fitzgerald and Ernest Hemingway. Fitzgerald says, “You know, the rich are different from you and me.” Hemingway responds, “Yes. They’ve got more money.”

I’ve been pondering wealth and its effects and just how authors have depicted very rich characters in fiction. Pat Barker’s novel, The Silence of the Girls, silence of the girlsis set during the Trojan Wars with characters out of Homer’s Iliad. One of her characters, Agamemnon, is a nasty, boundary-ignoring king who never learned to share. He possesses vast wealth and vast power. He takes Briseis, a high-born captive woman awarded by the army to Achilles, away from him. He is brutal to Briseis, lacks honor in his dealings with Achilles, mistreats the powerless, and lies to his soldiers. But he pays a price in his greatest hero Achilles’ refusal to fight,  the scorn of his Greek officers, and the costs of prolonged war. Although we don’t see it in Barker’s story, which centers on Briseis, Agamemnon comes to a bad end in spite of all his gold, concubines, and power when he returns home to his wife.

Move ahead to Charlotte Bronte’s novel, Jane Eyre, in which a plain governess discovers that the wealthy, brooding, yet attractive master of the mansion has a mad wife kept in the attic. It appears to Jane that our tortured hero is an innocent victim of fate. jane eyreBut wait, in the sixties another British author, Jean Rhys, started puzzling over the madwoman. The result was a new novel, The Wide Sargasso Sea. Since reading it neither I, nor many others, have been able to see Mr. Rochester as anything but a money and power-hungry monster. His naïve first bride loses freedom, fortune, and sanity at the hands of this now rich and powerful villain. He even eventually gains smart, loving, caring Jane as his wife. But before that, the madwoman/victim inflicts some serious damage of her own.

Now back to F. Scott Fitzgerald and The Great Gatsby, that story of wealthy scofflaws pursuing an amoral version of the American Dream. I’ll focus on Tom Buchanan, great gatsbyborn into the upper class with an ego-fed sense of entitlement and an Agamemnon-like disdain for those less privileged. When Tom’s wife commits a hit and run, he buys them out of trouble that threatens to upset their lives. As the story ends, fate hasn’t seemed to exact a price for his corruption and carelessness with the lives of others. But I take comfort in the fact that The Great Gatsby was written and set in the mid-twenties. We all know what happened at the end of that decade.

These three characters, arrogant and immoral, are three different authors’ depictions of the very rich, written and set in three different time periods. They tend to be villains and authors find them useful antagonists. I’ve been trying to think of any wealthy character who challenges these recurring character types.

Can you think of any?

river with no bridge

Available from Amazon, Barnes & Noble, and Kindle
https://karenwills.com
Face Book: Karen Wills Author

 

September Book News

 

books 9 2018

Book cover banner

Join Author Susan Purvis Tuesday October 2nd

for her official book launch of Go Find.

It’s going to be a festive affair with book signing, music, snacks.

 Reading and Discussion.

A free drink to book purchasers.

Where: Casey’s Whitefish 101 Central Ave. Whitefish, Montana

Time:  6 pm doors open-Book signing, music. 

 7:15 pm Discussion with Susan and Whitefish Review editor Brain Schott and Keith Liggett about her memoir, the writing process and life and love. Q &A for audience.

8:30 pm Book signing and music.

 

NEWS! ANNOUNCING: Go Find will be released early for Flathead River Writers Conference Sept 22nd.  Ten days before general public. On sale at the conference.

Betty Kuffel, Author

Betty’s Book News for September5-6-2018-deadly-pyre-new-front-cover.jpg

Deadly Pyre is book one of the Kelly McKay  medical thriller series. It will be available as a free Kindle on Amazon September 28, 29 and 30th. Please take advantage of the free book and share the information with your friends.

Amazon link

In this book, Dr. Kelly McKay struggles to complete her ER residency at Seattle’s Harbor Medical Center. Ferocious competition, burnout and an unpredictable lover complicate her life. Besides unexplained deaths of patients under her care jeopardizing her career, a sudden increase in stabbing victims points to a serial killer stalking women near the hospital. Will Kelly be next?

 

 

What Our Characters Keep

By  Karen Wills

“All these items you’re safeguarding are, in essence, the relics of your life’s defining moments.”                   Chip and Dan Heath, The Power of Moments

Authors can depict and clarify fictional characters by their keepsakes. Sometimes such objects are discovered and loved in a protagonist’s childhood because they’re connected to influential adults.

overstoryIn Richard Powers’, The Overstory, Nick Hoel, destined to become an artist, is fascinated by a series of photographs taken every month since 1903 of the sentinel chestnut on his family’s farm in Iowa. He keeps the stack of photos intact throughout his life which becomes as singular as the chestnut itself. The tree and the photographs ultimately shape Nick—his values, his devotion to one woman, and his fate.

In another of my favorite novels, A Gentleman in Moscow by Amor Towles, gentleman in moscowthe aristocrat Count Alexander Rostov is sentenced during the Russian Revolution to life under house arrest in the Metropol, Moscow’s most luxurious hotel. Moved to a cramped attic room, he must choose only a few possessions to take with him. One choice is a portrait of his deceased younger sister, Helena. He loved her, and her portrait also evokes memories of Idlehour, his family’s country estate. He associates the painting with his idyllic boyhood as part of a refined, privileged, and noble family. The siblings’ history shows the foolishness and sometimes cruelty of the old life as well. Both Helena and Idlehour are part of the beloved lost past. But our charming Count might still have a most surprising future.

In Donna Tartt’s The Goldfinch, thirteen-year-old Theo rescues a precious painting following a terrorist attack on the museum where the work by the Dutch master Fabritius is part of an exhibit. The attack leaves Theo’s mother dead. He carries the little painting with him for years, never revealing that he has it. Its beauty sustains him through grief, loneliness, and one of the most interesting friendships ever created by an author. At the novel’s end, he ponders everything that has happened, and realizes that he kept the painting first and foremost because it is so touching and exquisite.

goldfinchHe thinks, “And I add my own love to the history of people who have loved beautiful things, and looked out for them…while passing them along literally from hand to hand, singing out brilliantly from the wreck of time to the next generation of lovers, and the next.”

What our characters choose to keep safe can help define them. If we accept that a bit of ourselves exists in each of our characters, perhaps their keepsakes help define us, too.

river with no bridge

Now available from Amazon, Barnes & Noble, and Kindle
https://karenwills.com
Face Book: Karen Wills Author