Mystery and Wilderness in Fiction

By Karen Wills

My husband and I made up a personal list of criteria for good fiction. One of our essentials is mystery. By that we don’t mean crime solving. We mean the lure of what hovers just beyond the obvious. It’s what makes us tell our book club or other friends to read it so we can talk about it.

In literature it’s sometimes found in complex characters or in nature. I used the wilderness as setting that is almost a character in my historical novel, River with No Bridge. For me, books set in the wilderness often have mystery. There’s richness to that.

In Eowyn Ivey’s historical novel, To the Bright Edge of the World, to the bright edgea husband is one of the first to head an expedition to explore Alaska Territory’s Wolverine River Valley while his pregnant wife waits at Fort Vancouver for his return. In a letter to her he muses, “I suppose the wilderness does have its draw. She always keeps a part of herself a mystery.” Later he says, “It is a grand, inscrutable wildness. Never are the people here allowed to forget that each of us is alive only by a small thread.”

For authors and artists conveying the wilderness while honoring its mystery is challenging. In her novel about the artist Emily Carr, the forrest loverthe late Susan Vreeland wrote, “She looked back at the forest—more dense and tangled and full of mystery than the forested part of Beacon Hill Park at home. How could she ever paint it? No art school taught how to paint such immense, paralyzing magnificence.”

And yet, some of us keep writing about, or painting, those precious wild places that still exist. How long wilderness has existed. We marvel at the geology of places like Glacier National Park and find an awed comfort in astronomy. Poet Robinson Jeffers wrote these lines,

The stars shine in the sky like the spray of a wave

Rushing to meet no shore, and the great music

Blares on forever…

Perhaps, the meaning of wilderness is that wild beauty creates its own mystery.

river with no bridge

 

Now available from Amazon, Barnes & Noble, and Kindle

https://karenwills.com

Face Book: Karen Wills Author

Mystery and Wilderness in Fiction

By Karen Wills

My husband and I made up a personal list of criteria for good fiction. One of our essentials is mystery. By that we don’t mean crime solving. We mean the lure of what hovers just beyond the obvious. It’s what makes us tell our book club or other friends to read it so we can talk about it.

In literature it’s sometimes found in complex characters or in nature. I used the wilderness as setting that is almost a character in my historical novel, River with No Bridge. For me, books set in the wilderness often have mystery. There’s richness to that.

In Eowyn Ivey’s historical novel, To the Bright Edge of the World, to the bright edgea husband is one of the first to head an expedition to explore Alaska Territory’s Wolverine River Valley while his pregnant wife waits at Fort Vancouver for his return. In a letter to her he muses, “I suppose the wilderness does have its draw. She always keeps a part of herself a mystery.” Later he says, “It is a grand, inscrutable wildness. Never are the people here allowed to forget that each of us is alive only by a small thread.”

For authors and artists conveying the wilderness while honoring its mystery is challenging. In her novel about the artist Emily Carr, the forrest loverthe late Susan Vreeland wrote, “She looked back at the forest—more dense and tangled and full of mystery than the forested part of Beacon Hill Park at home. How could she ever paint it? No art school taught how to paint such immense, paralyzing magnificence.”

And yet, some of us keep writing about, or painting, those precious wild places that still exist. How long wilderness has existed. We marvel at the geology of places like Glacier National Park and find an awed comfort in astronomy. Poet Robinson Jeffers wrote these lines,

The stars shine in the sky like the spray of a wave

Rushing to meet no shore, and the great music

Blares on forever…

Perhaps, the meaning of wilderness is that wild beauty creates its own mystery.

river with no bridge

 

Now available from Amazon, Barnes & Noble, and Kindle

https://karenwills.com

Face Book: Karen Wills Author

June Book News

june 2018

Cookie CrumblesLESLIE BUDEWITZ:
 Book launch! So exciting, I’m babbling. AS THE CHRISTMAS COOKIE CRUMBLES, my fifth Food Lovers’ Village Mystery, will launch June 8 in trade paperback, e-book, and audio! (Read an excerpt and find the order links on my website.) I’ll be celebrating in towns large and small — Seattle, Augusta, Billings, and Bozeman. (Details on my website, under News and Events.)

And I hope you’ll join me for cookies and more at the Christmas in June book launch party at the Bigfork Art and Cultural Center, from 4-6 on Saturday, June 9. I’ll talk about the book, how it came to be, and other mysteries (grin!), and sign books. The art center’s “Year of the Bird” exhibit will be on display, and all my books will be available. I hope to see you there — or somewhere else along the road!

Happy reading!

May Book News

may 2018

Cookie CrumblesLESLIE BUDEWITZ: I’m just back from Malice Domestic, the convention celebrating the traditional mystery, held every year just outside Washington, D.C. It’s a long weekend of fun, friends, and books — the Guest of Honor was Louise Penny, the great Canadian writer, and Nancy Pickard, the first elected president of Sisters in Crime, received a Lifetime Achievement Award. Any fans of Vera — the books by Ann Cleeves or the BBC series? Actress Brenda Blethyn, who plays the smart, crusty homicide detective, was also a special guest.

And it was a thrill to see my June release, AS THE CHRISTMAS COOKIE CRUMBLES, the 5th Food Lovers’ Village Mystery, in readers’ hands, thanks to my publisher, Midnight Ink, who made early copies available in the dealers’ room. Conference goers also received complimentary copies of the May-June issue of Alfred Hitchcock’s Mystery Magazine, which includes my historical short story, All God’s Sparrows, set in Montana Territory in 1885 and featuring one of Montana’s most fascinating historical figures. Early response to both book and story was terrific.

And now, I’m getting ready for my upcoming book launch. Join me Saturday, June 9, from 4-6, for a book launch party at the Bigfork Art & Cultural Center, in the village. The staff are calling it “Christmas in June,” and there will be cookies!

Happy reading!

Natural Observers: Susan Fenimore Cooper, Mary Hunter Austin, and Nan Shepherd

By Karen Wills

Nature writing reaches my heart. It does that through poetic, detailed description of an outdoor setting. In the last months I’ve read three wonderful books by women nature writers. Let’s consider them from earliest to most recent.

Susan Fenimore Cooper,cooper James Fenimore Cooper’s daughter, founded an orphanage in Cooperstown, New York, a town established by her grandfather. She made a success of the enterprise in every way. In 1887 she also wrote Rural Hours, nature writing that covered a year in Cooperstown season by season. Much of it appeared as journal entries recorded after walks that ranged over the countryside. Both writer and artist, she also made watercolors of birds, coopers birdflowers, animals, and the lake near the town that drew her to its shores over and over. Her writing was accurate and poetic.  “Spring has a delicate pencil; no single tree, shrub, plant, or weed, is left untouched by her, but Autumn delights rather in the breadth and grandeur of her labors, she is careless of details. Spring works lovingly-Autumn, proudly, magnificently.”

Already sorry for the damage caused by the post Civil War increase in America’s population, she also conveyed a warning familiar to modern conservationists. “The rapid consumption of the large pine timber among us should be enough to teach a lesson of prudence and economy on the subject.”

Mary Hunter Austin wrote a collection of nature essays, The Land of Little Rain, in 1903. mary austinShe focused on the Mojave Desert including Death Valley. She considered Nature as an entity with a beneficial connection to Native peoples and recent arrivals alike. She mixed small matters of opinion in with the big themes.  “This is the gilia the children call ‘evening snow’ and it is no use trying to improve on children’s names for wildflowers.” She is poetic. “The origin of mountain streams is like the origin of tears, patent to the understanding but mysterious to the sense.”

Finally, there’s Nan Shepherd who wrote her best-known work, The Living Mountain, with a mountaineer’s authenticity. nan shephardHer setting is the Cairngorm Mountains of Northern Scotland. Writing in 1944, she shared her belief in nature’s grand unity. “The disintegrating rock, the nurturing rain, the quickening sun, the seed, the root, the bird—all are one.”

Each of these writers had a poetic respect and thorough knowledge of her most favored area of the natural world. We are the richer that each shared her love of nature with us.

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