Learning my colors

By Janice McCaffrey

One of my first blogs back in February 2016, I shared a technique that helped me enhance first, second, third, and so on story drafts. Layering. I start with a very rough draft and then work on applying layers: dialogue, body language, physical descriptions of characters and settings, etc.

Currently I’m layering color.

In my July 2018 blog I listed online resources to help improve descriptions. I’m working with site kathysteineman.com to learn my colors. It lists adjectives that help describe a certain color.

For example

cat black

Cat Black

and

smoky black

Smoky Black

Then there are words like hue, tone, tint, and shade to describe differences in colors. According to DifferenceBetween.net a hue is the brightest, purest form of a color…red, yellow, blue, etc. A general term that refers to a pure color that has been lightened or darkened is tone. A true color that has been lightened is a tint. A true color that’s been darkened is a shade.

cornsilk blonde

Corn silk

 

 

apricot blonde

Apricot Blonde

 

Hair colors are fun to play with. There are many descriptions of blonde online. Here are two:

 

color wheel

 

Reviewing the color wheel has helped me dress my characters and decorate their space

 

 

 

 

And check out dailywritingtips.com’s How to Punctuate Descriptions of Colors By Mark Nichol – It’s a short two minute read and very helpful. Easy to understand explanations for  the correct use of hyphens and commas and how their misuse can change your intended meaning.

Metaphorically, I’m a three year old. No, not in dog years . . . in writers’ years. learning my colors

And I’m having fun learning my colors!
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June Book News

june 2018

Cookie CrumblesLESLIE BUDEWITZ:
 Book launch! So exciting, I’m babbling. AS THE CHRISTMAS COOKIE CRUMBLES, my fifth Food Lovers’ Village Mystery, will launch June 8 in trade paperback, e-book, and audio! (Read an excerpt and find the order links on my website.) I’ll be celebrating in towns large and small — Seattle, Augusta, Billings, and Bozeman. (Details on my website, under News and Events.)

And I hope you’ll join me for cookies and more at the Christmas in June book launch party at the Bigfork Art and Cultural Center, from 4-6 on Saturday, June 9. I’ll talk about the book, how it came to be, and other mysteries (grin!), and sign books. The art center’s “Year of the Bird” exhibit will be on display, and all my books will be available. I hope to see you there — or somewhere else along the road!

Happy reading!

Time Travel

By Janice McCaffrey

I’ve been captivated with the idea of time travel as far back as I can remember. According to Wikipedia, stories of time travel date back as early as 3rd century Greece. In our day the idea was popularized by H. G. Wells’ novel Time Machine. Since then there have been many versions using a multitude of techniques to transport characters between places and times.

Following Wells’ lead Bill and Ted used a phone booth to travel through their                excellent adventure. Marty used a De Lorean sports car with its flux capacitor driven engine to get Back to the Future. The TV show Quantum Leap used a quantum accelerator that emitted blue lights and smoke. It shuffled a scientist to and from places and times where he could prevent incidents that would have catastrophic repercussions on the future.

Some authors use objects or talismans to transport their characters. Somewhere in Time tells the story of a young reporter who is to interview an eighty-plus year old actress in an historic hotel. While awaiting her arrival, he sees her photograph from sixty-years earlier and falls in love with her. He longs to go back in time. Then with an old coin in his hand and in the room she stayed in on her first visit, he falls asleep. When he wakes it’s the day, sixty-years earlier, the young actress arrived at the hotel. And the romance begins!

Other fictional characters have used portals found in a wardrobe, mirrors, bridges, water, walls, children’s bedroom closets, and video games. Think Chronicles of Narnia, Monsters, Inc., and The Matrix.

Vortices (plural for Vortex) are areas known to either draw energy out or pull energy into the earth. Sedona Arizona is famous for the strong vortices in the surrounding area. Resorts advertise the health benefits of the energy exchanges that take place there. And I’ll bet folks with strong imaginations attempt journeys to the past or future. I know I would.

How does one find a vortex? You could visit one of the many roadside Houses of Mystery. Or, websites explain that a person can use their inner-sensitivities to feel the energy pulsing through their bodies. However, there is scientific equipment that can help. It seems that a strong radio-active field is at the center of a vortex. The military has electromagnetic field meters to locate vortex energy. Then a Geiger counter’s response gives a weak or strong reading. So using an EMF with a Geiger counter a person can locate the precise center of a vortex; and just maybe a portal to another place and time.

Characters travel willingly or accidently finding themselves in an unfamiliar place and/or time. Depending on the plot, some characters could experience both. And that leads to the question of how to return a person or animal to their original location and date. Again it’s up to the writer; talismans, machines, portals, vortices, anything a person can think up.

Are there any rules for time travel? Can or should a traveler change events in the past to affect the future? Can a person travel at will or do they need an exact place or time to aim for? Can the passenger of a time machine control where and when they arrive at a destination – in either direction? Can a person land in parallel universes of the same time period? Can a time traveler choose to stay in the past or future or is their return mandatory? Can a person feel physical and/or emotional reactions as they pass through centuries? The protagonist in Elan Mastai’s All Our Wrong Todays (2015) has these decisions to consider.

Based on scientific facts and past experiments, traveling through time is not possible. But based on creative authors it can be done with or without rules and through whichever method they choose. The unknown adventure of time travel is a wonderful gift to writers. We can create situations, methods, choices, and consequences for our characters without parameters.

I still haven’t figured out how Marty got back to the future, but I am having a fun adventure creating time travel experiences for my characters.

 

May Book News

may 2018

Cookie CrumblesLESLIE BUDEWITZ: I’m just back from Malice Domestic, the convention celebrating the traditional mystery, held every year just outside Washington, D.C. It’s a long weekend of fun, friends, and books — the Guest of Honor was Louise Penny, the great Canadian writer, and Nancy Pickard, the first elected president of Sisters in Crime, received a Lifetime Achievement Award. Any fans of Vera — the books by Ann Cleeves or the BBC series? Actress Brenda Blethyn, who plays the smart, crusty homicide detective, was also a special guest.

And it was a thrill to see my June release, AS THE CHRISTMAS COOKIE CRUMBLES, the 5th Food Lovers’ Village Mystery, in readers’ hands, thanks to my publisher, Midnight Ink, who made early copies available in the dealers’ room. Conference goers also received complimentary copies of the May-June issue of Alfred Hitchcock’s Mystery Magazine, which includes my historical short story, All God’s Sparrows, set in Montana Territory in 1885 and featuring one of Montana’s most fascinating historical figures. Early response to both book and story was terrific.

And now, I’m getting ready for my upcoming book launch. Join me Saturday, June 9, from 4-6, for a book launch party at the Bigfork Art & Cultural Center, in the village. The staff are calling it “Christmas in June,” and there will be cookies!

Happy reading!

Natural Observers: Susan Fenimore Cooper, Mary Hunter Austin, and Nan Shepherd

By Karen Wills

Nature writing reaches my heart. It does that through poetic, detailed description of an outdoor setting. In the last months I’ve read three wonderful books by women nature writers. Let’s consider them from earliest to most recent.

Susan Fenimore Cooper,cooper James Fenimore Cooper’s daughter, founded an orphanage in Cooperstown, New York, a town established by her grandfather. She made a success of the enterprise in every way. In 1887 she also wrote Rural Hours, nature writing that covered a year in Cooperstown season by season. Much of it appeared as journal entries recorded after walks that ranged over the countryside. Both writer and artist, she also made watercolors of birds, coopers birdflowers, animals, and the lake near the town that drew her to its shores over and over. Her writing was accurate and poetic.  “Spring has a delicate pencil; no single tree, shrub, plant, or weed, is left untouched by her, but Autumn delights rather in the breadth and grandeur of her labors, she is careless of details. Spring works lovingly-Autumn, proudly, magnificently.”

Already sorry for the damage caused by the post Civil War increase in America’s population, she also conveyed a warning familiar to modern conservationists. “The rapid consumption of the large pine timber among us should be enough to teach a lesson of prudence and economy on the subject.”

Mary Hunter Austin wrote a collection of nature essays, The Land of Little Rain, in 1903. mary austinShe focused on the Mojave Desert including Death Valley. She considered Nature as an entity with a beneficial connection to Native peoples and recent arrivals alike. She mixed small matters of opinion in with the big themes.  “This is the gilia the children call ‘evening snow’ and it is no use trying to improve on children’s names for wildflowers.” She is poetic. “The origin of mountain streams is like the origin of tears, patent to the understanding but mysterious to the sense.”

Finally, there’s Nan Shepherd who wrote her best-known work, The Living Mountain, with a mountaineer’s authenticity. nan shephardHer setting is the Cairngorm Mountains of Northern Scotland. Writing in 1944, she shared her belief in nature’s grand unity. “The disintegrating rock, the nurturing rain, the quickening sun, the seed, the root, the bird—all are one.”

Each of these writers had a poetic respect and thorough knowledge of her most favored area of the natural world. We are the richer that each shared her love of nature with us.

https://karenwills.com

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